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Posted by Matthew Wrather

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Peter Fenzel and Matthew Wrather overthink intrinsic and instrumental hats. From a toddler’s hilariously putting diapers on their head to a king solemnly doing the same with a crown, they weave experience, history, and philosophy into a tapestry that is, in the end, extremely silly.

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Further Reading

Episode 907: The Childlike Urge to Hat originally appeared on Overthinking It, the site subjecting the popular culture to a level of scrutiny it probably doesn't deserve. [Latest Posts | Podcast (iTunes Link)]

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While I will probably never be able to divest myself from google completely, I'm thinking of trying to start shifting some things off google (and also juno, I have an ancient juno email acct I really need to move away from) so I turn to my brilliant friends to ask what you all use. I had heard tons of good things about proton (both its mail and docs) but just read it is possibly wishy-washy on AI so am not as sure about it. I've also heard good things about thunderbird and one or two places suggested tuta.

Anyone use one of these or have opinions? Are there others I have missed? (GMX used to be suggested but I haven't seen it mentioned recently?) Besides google's well, everything, I am sick and tired of having to turn off its AI "features" every few weeks/months every time they push a new update/product. I loathe all things AI it is just an annoying scourge that is *everywhere*.

I mostly want just reliable email that can be accessed via a browser webpage without having to download anything. If I can also access it on my phone via an app or browser there, great, but that is less important. Free is ideal, although I guess I'll consider a one time purchase if it's not too bad and is for a well established, reliable company. I do like googledocs and plan on moving away from that eventually but for now just starting to establish a new email would be a good step.

Livejournal is down today when I use firefox but if I try in another browser it seems to load (I have Edge on this laptop but only because it came installed and I used it to DL firefox, I haven't signed into anything on it). I even tried turning off uBlockOrigin and it still wouldn't work on firefox. I wonder if firefox tweaked its settings or something, one of the things that kicked off my new email client search was juno being weird on firefox. SIGH. I did check and my firefox is up to date. (The 'is it down right now' sites seem mixed on if LJ is down for everyone or not so I guess there is an actual issue. I barely use LJ anymore but still, twas my fannish home for a bit, I hope it doesn't go down for good)

I managed to find things to post to [community profile] recthething the past two weeks (behold! tumblr art for Batman, DMBJ/Lost Tomb, MDZS/Untamed, Sherlock, SPN, Superman, and X-Men):

Batman
- Yapping on a random rooftop until sunrise. (really great Dick and Tim art)

DMBJ/Lost Tomb:
- "Next time, can we not come to such a cold place?" (gorgeous artist interpretation of the finale scene in Mystery of The Abyss, the Heihua Russia adventure tease)
- Clair-Obscur also on AO3 here Summary: Summary: Xie Yuchen is kidnapped. Hei Xiazi comes to the rescue... As his lift. (wonderful, and wonderfully detailed, B&W wordless Heihua comic)

MDZS/The Untamed
- Happy radish family! (adorable WWX, WN and a-Yuan during the burial mounds settlement days)

Sherlock
- Bleak (sherlock in the rain, love it)

Superman
- Sunshine Boy (this is one of my favorite Clark fanarts I have ever seen)

X-Men
- Halloween at the x mansion but it’s just everyone wearing starfleet uniforms. Charles does Not think it’s funny. (absolutely hilarious but the bonus is just *chef's kiss*)

I've been seeing articles and comments about both a White Collar and Stargate reboot possibly happening. The White Collar one seems like it's mostly rumor and hopeful folks rehashing comments made a few years ago (or, there's nothing specific behind the chatter at least) but Amazon/MGM has actually greenlit a Stargate project with a showrunner who had been involved with SGA so that might be something. (I am not entirely sure stargate can work in today's world/climate considering the military push and 'ancient aliens' conspiracy theories but still, I loved SG1/SGA back in the day so I guess I am cautiously optimistic?)
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Apology for Murder

A 1945 movie from Sigmund Neufeld Productions that was directed by Sam Newfield. Based on Billy Wilder and Raymond Chandler's script for Double Indemnity AND the James M. Cain novel of the same name.

Kenny (played by Hugh Beaumont) is a hot shot journalist who tries to land a surprise interview with businessman Harvey (played by Russell Hicks). He's brushed off but, while trying to interview Harvey, Kenny meets Toni (played by Ann Savage), Harvey's wife.

They have a type of ~connection.

Soon enough, they start having an affair. One night, Toni brings up how beneficial it'd be to get rid of her husband . . .

If the story sounds VAGUELY FAMILIAR, it's cuz this is a v. condensed version of Double Indemnity. Only, like, at a lower budget. This movie is abt an hour and 4 mins long.

A generous way to think of this movie is as an hourlong episode of a TV anthology show. Comparing it to the original movie is deeply unfair.


Do I have any criticisms?

Because of its length, it jumps over a lot of the actual!plot. Frex, Kenny and Toni's affair happens super fast. There's no time for anything to develop.


Do I recommend it?

Yeah. It might be a movie that's not amazing, but it's also a blatant rip-off of a much better movie. AFAIK, it's available on Amazon Prime Video, but I'm also sure anyone can find it elsewhere online. I'm giving it a 2.7 out of 5.


Queerness level:

Nonexistent.

Episode 906: Hero Flavour

Nov. 17th, 2025 05:01 am
[syndicated profile] overthinkingit_feed

Posted by Matthew Wrather

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Peter Fenzel and Matt Wrather overthink series 16 of The Great British Bake Off, a reality competition show that takes place in a comforting world swaddled in gingham, where the stakes are as low as a soggy bottom. With one contestant so dominant, this year’s competition was nearly devoid of suspense; and the presence of a Ukrainian baker nearly forced the show to confront a world with a tragedies many times worse than the collapse of a cake.

They puzzle out how the show tries to make meaning through its casting and through the relationship between the hosts and the judges, and try to imagine what the show must mean to its intended (British) audience, playing on both nostalgia for a simpler time of village fêtes and the contemporary diversity of modern Britain. In the end, everyone can agree: Alison Hammond has made the show’s flavor’s pop.

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Further Reading

Episode 906: Hero Flavour originally appeared on Overthinking It, the site subjecting the popular culture to a level of scrutiny it probably doesn't deserve. [Latest Posts | Podcast (iTunes Link)]

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Dead Reckoning

A 1947 movie from Columbia Pictures. Directed by John Cromwell. Script was by Stve Fisher and Oliver H.P. Garret from a story by Gerald Drayson Adams and Sidney Bidell.

Captain Warren "Rip" Murdock (played by Humphrey Bogart) and his bestie Sergeant Johnny Drake (played by William Prince) are enroute to Washington, D.C. from Paris under some mystery orders. Soon enough, though, they find out that Johnny will be awarded the Medal of Honor while Murdock will get the Distinguished Service Cross. Murdock is elated while Johnny is not quite vibing with all of that.

When their train makes a stop, Johnny uses the opportunity to run away. Murdock tells the army that he's gonna go after his BFF and bring him back. He decides to head on over to Gulf City, Johnny's hometown, and ends up getting a message from Johnny that they gotta talk. But Johnny never contacts him again . . .

Released a whole year after the triumph that was The Big Sleep, this is a pretty solid B-movie.

OFC, Bogart is THE star: he brings a realistic combination of world-weariness and hope for a better future that, combined with the superb dialogue, makes the film snap and crackle with energy. Most of the cast is really good as well.

The plot is convoluted enough to make it interesting w/o becoming too labyrinthine.


Do I have any criticisms?

Even though I think she's a good actress in most things, I couldn't quite rally behind Lizabeth Scott as Coral Chandler. Thing is, I'm not sure even Scott knew HOW to play her character. And so she was both femme fatale and heroine without making up her mind. Which makes me think that the role would've been a much better fit for someone else.

Interestingly enough, this seems to be the general sentiment as folks (even going back to 1947) felt, at best, lukewarm with her performance. *Hands*


Do I recommend it?

I do! Again, it's no The Big Sleep and Lizabeth Scott is no Lauren Baccall, but I was entertained. This movie is available for streaming on YouTube for FREE NINETY-NINE for the month of November IF you've got YT Premium, you'll be able to watch it w/o ads. I give it a 3.5 out of 5.


Queerness level:

There's a v. OJO line that Murdock tells another character abt his bond with Johnny that falls along the line of "he's the person I've loved the most."

Now, I wouldn't go as far as to say that the slash vibes are strong, BUT Murdock's devotion (in a manner of speaking) to Johnny does ring a little queer. IDK.


Le trailer

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Johnny O'Clock

A 1947 movie from J.E.M. Productions directed by Robert Rossen.

Johnny O'Clock (played by Dick Powell) co-runs a casino alongside Guido Marchettis (S.Thomas Gomez). He's a guy who knows all the angles, moves, scams, and whatnot. Harriet (played by Nina Foch), a hat-check girl, is someone Johnny's friendly with. She happens to be in a volatile relationship with crooked cop!Chuck Blayden (played by Jim Bannon).

Things get v. complicated when Blayden disappears and Harriet is found dead.

AND THEN, Nancy (played by Evelyn Keyes), Harriet's sister, shows up wanting answers. Not to mention the dangerous mess that is Nell (played by Ellen Drew), Guido's wife, who won't let Johnny go.

ON TOP OF ALL THAT, there's a cop named Koch (played by Lee J. Cobb) who keeps clashing with Johnny. (Personally, I got the feeling he was envious or jealous of him? #Unsure)

This is a CHAOTIC story, hahah. Everyone's acting is on deck. Dick Powell is someone who I first met in musicals, so it wasn't until much later that I discovered his noir movies. In this case, he plays the part really well. The film has extremely snappy dialogue, the kind that calls attention to itself. The artificiality of it all actually works; EVERYONE has at least two lines that are ridic witty.

It's a v. interesting noir.


Do I have any criticisms?

The story's kinda convoluted. There's the mystery of Harriet's death, the disappearance of the crooked cop, the mobster's wife who is obsessed with Johnny, and the viewer is never quite sure WHAT KIND OF CHARACTER Johnny actually is. OTOH, he's not a villain, but he's not an anti-hero either.

There's a scene where another character calls him out for being the type of person who not only will never pick a side, but who is also deeply selfish. And Johnny shrugs that character off. I do agree with that character's assessment of Johnny cuz, FWIW, you're never quite sure of his motivations. Even after finding out abt his background and how he ended up as a casino co-owner.

Finally, Powell has some chemistry with Evelyn Kayes (who I know as the wife in The Seven Year Itch movie with Marilyn Monroe.) But it's not strong enough.


Do I recommend it?

Sure. I had a good time watching it despite the jumbled plot and my ??? abt Johnny and Koch's motivations. I think you can watch it on Tubi (plus additional copies floating on YouTube.) Gonna give it a 2.9 out of 5


Queerness level:

None.


Le trailer

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[personal profile] glitteryv
The Amazing Mr. X (YouTube)

A 1948 horror noir from Eagle-Lion Films.

Christine (played by Lynn Bari) is a rich widow who believes that someone from the great beyond is trying to contact her. Janet, her sister (played by Cathy O'Donnell) repeatedly tells Christine that she's imagining things. They live in a big house by a cliff and the combination of the waves from the sea below and the wind results in strange noises.

However, Christine is not convinced. One night, she's walking down the beach, on her way to her boyfriend Martin's house (played by Richard Carlson) for dinner. She begins to hear the voices again. It puts her in a weird emotional moment. Just as she's starting to get a hold of herself, she runs into a guy named Alexis (played by Turhan Bey). This dude tells her that his powers led him to her and that he wants to help. He drops a few details abt her and her husband that he shouldn't know cuz he and Christine had never met before.

Afterwards, she asks Martin for a raincheck. After she calms down, he proposes to her. Once Martin leaves for his home, she begins to see and hear more stuff. She sits down with Janet and they agree to visit Alexis to see what he can do to help them.

A seance occurs…

This is an interesting movie in that it's half gothic horror and half film noir. There's the supernatural aspect including ghosts, seances, the idea of a love that goes beyond life and death, etc. Meanwhile, for the film noir, the main themes are obsession and fate. The cinematography (by John Alton) is moody AF.

All of the actors were fine (tho no one stood out for me.)


Do I have any criticisms?

Yeppers. I do feel that the story has uneven pacing after Christine and Alexis meet. Sometimes things take forever to happen, others things seem to speed up.

Even though this is mostly built as a film noir, IMO, it's more a gothic suspense movie. So I'm v. ??? as to why ppl keep bringing this movie up whenever someone asks for film noir recs. YMMV.


SPOILERS FOR THE ENDINGPerhaps I'm overthinking this, but I was disappointed by some aspects of the ending.

So the first half of the movie is abt Christine. But then, the plot jumps lanes and the focus shifts to another character all the way to the end. Which is odd. I wish the movie had been abt the other character to begin with.

Especially cuz I wanted some more info on Christine as the movie came into a close. She's been put thru the wringer psychologically speaking AND survives a truly dark moment. It's also hinted at (some 15-20 mins before the movie ends) that she's having suicidal ideations too. The rest of the characters don't seem concerned abt that? Given everything that happens to her, I don't see Christine having a happy ending.

IDK. It was unnerving cuz there's no closure to her character one way or another.



Do I recommend it?

#Unsure. It's not a bad movie, but I can't rec it as a full noir. So, I'm giving it a 2.1 out of 5.

Queerness level:

*Shakes head no*



Le trailer

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[personal profile] glitteryv
The Chase (YouTube)

A 1946 movie from Nero Films and directed by Arthur Ripley. It's based on the novel The Black Path of Fear by Cornell Woolrich.

The movie is abt Chuck Scott (played by Robert Cummings), a down on his luck WW2 veteran who, thru an act of kindness, ends up as the chauffeur for a Miami gangster called Eddie Roman (played by Steve Cochran). Now with a steady job and a place to live, Chuck is doing okay! That is, until he forms a bond with Lorna (played by Michèle Morgan)--who just happens to be Eddie's wife…

Actingwise, things are solid. Cummings and Peter Lorre (as Eddie's right hand man Gino) are good. Cochran plays his gangster role with this suave vibe who will turn violent in an instant. I like how he plays Eddie in a way that will unsettle viewers; he also has a v. magnetic persona.

Do I have any criticisms?

The plot feels like two movies in one (and not in a good way). With the first half being verrrrrry noirish as the suspense keeps building up. Then something happens that has the story change lanes in a way that made me MUPPET FACE at the screen.

Lorna as a character was uninteresting. I'm not sure if it was the direction or Morgan's own acting limits or what. She had a couple of good scenes with Cochran and then I'd be like "whatever, girl."


Do I recommend it?

I do as long as you accept that the movie will take a sharp turn. It's also only an hour and 30. I"m giving it a 2.1 out of 5. I didn't feel like I wasted my time watching it, but it's not one I'll rewatch any time soon or, like, ever.

Queerness level:

An argument can be made for Gino's closeness and protectiveness toward Eddie. At least, the way Lorre plays him. YMMV.


Le trailer

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Farewell, My Lovely

A 1975 adaptation of Dashiell Hammett's novel by the same name.

Just like with The Big Sleep, I read that novel some 20 yrs ago. I've watched (and own in physical format) the 1944 movie that was originally titled Murder, My Sweet. That movie starred Dick Powell and Claire Trevor.

Out of the two versions, the 1944 adaptation is the more faithful one to the novel. So, when compared to the 1975 film, there are some differences, but the overall storyline remained mostly the same. Acting and plot are good in both.

In this movie, Philip Marlowe (played by Robert Mitchum here and Dick Powell in the 1944 movie) is a private detective in 1941. He's not doing great, but he's deffo busy. The bulk of his cases tend to be abt cheating spouses or (like it happens at the start of the movie) finding missing people.

As soon as he returns a teenage runaway girl to her parents, he gets 'hired' by Moose Malloy (a thug who has just been released from prison for robbing $80k from a bank 7 yrs prior.) Malloy orders Marlowe to find his sweetheart, a woman named Velma, who was a dancer at a seedy bar. So Marlowe starts snooping around. The more he works the case, the wilder the search becomes until he senses that there's a bigger thing happening he hasn't quite connected the dots yet.

This is a REALLY GOOD movie. Extremely classic noir featuring Mitchum's Marlowe who has a frenemies situation with the police chief and Charlotte Rampling--who, at that time, was 29 y.o.--as Helen. She's a v. sensual, rich, and bored housewife. It's interesting that everything from her styling to her affectation and her voice is v., reminiscent of 1940s Lauren Baccall. Rampling does a good job as the femme fatale. (For context, the fabulous Claire Trevor, who played the same role in the 1944 movie, was slightly better, but I digress.) Rampling and Mitchum have a slow-burning intensity that works well considering Rampling's doing the most she can to embody the 1940s vamp and Mitchum (who was in his late 50s) starred in a lot of those 1940s noirs. I liked their interactions. Even though Helen was a little too much at times. Girl was horny, lordy lorde. XD

There are 2 differences between the 1944 and 1975 versions.

1. Because this movie was filmed after the Code was struck down, ppl curse, there are plenty of boobs (such as a scene in which Marlowe opens doors while searching for someone and finds different groups of ppl in which all of the women are topless), and the violence is more graphic (again, bullet wounds, blood, ppl getting punched and slapped.).

2. Also certain details: a character got genderswapped, two characters never show up (they were main characters), and two new characters were created for the movie. It was a bit confusing, but it worked for me. Oh, and out of nowhere, a v., v. young Sylvester Stallone shows up as a secondary character that's a thug dude. It was hilarious to see baby!Stallone, IDK.

It's not a perfect movie. There was one character that had a connection to the Big Bad, but I didn't quite understand how this partnership worked.

Do I recommend it? YES! If you're a fan of film noir or crime movies in general, this one will be a treat for sure. Content Warning for a lot of racial slurs in some scenes, on-screen violence against women, and some graphic stuff. I'm giving it a 4.5 out of 5.

Queerness level

There's a female character who is v. explicitly a lesbian. However, she's also an abuser and overall terrible person.


P.S.: One funny thing abt this movie being filmed in 1975 but depicting 1941 is that it'd be as if a movie coming out in 2025 that was set in 1990. I was a teenager in 1991! WHAT IS TIME?! O__o


Le trailer

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